A pan-European and American phenomenon, Romanticism influenced Western notions about the individual as well as humans' relationship to nature. This series of online seminars addresses both themes through a variety of genres and nationalities, most of which texts are written in the first person. How did the Romantic Era shape the notion of what a subject is?  Does first-person writing, in seeming to explore the subject or the self, reveal it or make it more obscure? To what extent does the choice an author makes to portray an experience through the use of the first person affect that experience, and do these authors' texts coalesce into a coherent portrait of the Romantic period? Finally, how do these singular voices engage with nature, particularly under the looming shadow of the Industrial Revolution?

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Readings in the Series (ISBNs and Posted PDFs will added soon):

Goethe — The Sorrows of Young Werther
Rousseau — Reveries of a Solitary Walker
Holderlin — Hyperion
Wordsworth — The Prelude (Two-Part 1799 version)
Chateaubriand — Rene, and Atala
Foscolo — The Last Letters of Jacopo Ortis
Byron — Childe Harold’s Pilgrimage, Canto One 
Hazlitt — On the Love of the Country, On Living to One's Self, and On Thought and Action
Müller/Schubert — Die Winterreise
Pushkin — Eugene Onegin 
Emerson — Nature, The Over-Soul, and Circles
Poe — The Landscape Garden, William Wilson, and The Fall of the House of Usher